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https://www.youtube.com/watch?v=RVmh0fqvfCc
https://www.youtube.com/watch?v=DbD06TA6DGY
https://www.youtube.com/watch?v=3kvlg-kVVgs
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Tum Bin Jaoon Kahan - By Kishore Kumar - तुम बिन जाऊँ कहाँ
SingerKishore Kumar
Music byR D Burman
LyricistMajrooh Sultanpuri
ActorBharat Bhushan, Nirupa Roy
CategoryRomantic Songs
MoviePyar Ka Mausam (1969)
Lyrics of Tum Bin Jaoon Kahan - By Kishore Kumar - तुम बिन जाऊँ कहाँ
tum bin jaaun kahaan, ke duniya mein aake
kuch na phir chaaha kabhii, tumako chaahake, tum bin
rah bhi sakoge tum kaise, ho ke mujhase juda
dhah jaaengi diivaaren, sun ke meri sada
aana hi hoga tumhen mere liye
saathi mere, suni raaha ke
kitani akeli si pahale, thi yahi duniya
tumane nazar jo mila lii, bas gai duniya
dil ko mili jo tumhaari lagan
diye jal gae, meri aah se
kuch na phir chaaha kabhii, tumako chaahake, tum bin
rah bhi sakoge tum kaise, ho ke mujhase juda
dhah jaaengi diivaaren, sun ke meri sada
aana hi hoga tumhen mere liye
saathi mere, suni raaha ke
kitani akeli si pahale, thi yahi duniya
tumane nazar jo mila lii, bas gai duniya
dil ko mili jo tumhaari lagan
diye jal gae, meri aah se
Poetic Translation - Lyrics of Tum Bin Jaoon Kahan - By Kishore Kumar - तुम बिन जाऊँ कहाँ
Where would I go, having come to this world,
Desiring nothing more, having desired you, without you.
See me, from head to toe, I am only love.
Embrace me, for I am restless for you.
You know not how I wandered,
Through which streets, desiring you.
Now, my love, every season, worthy of love,
Where our shadows fell, the gathering blossomed.
Even in solitude,
Life feels good, desiring you.
Where would I go, having come to this world,
Desiring nothing more, having desired you, without you.
How will you live, separated from me?
The walls will crumble, hearing my call.
You must come to me,
My companion, of the lonely road.
How lonely this world was before,
When you met my gaze, the world settled.
When my heart found your devotion,
Lamps ignited, from my sigh.
See the story of my sorrow, tell it to no one.
If my tale is spoken, listen and remain silent.
As for me, it will pass somehow,
This life, desiring you.
Desiring nothing more, having desired you, without you.
See me, from head to toe, I am only love.
Embrace me, for I am restless for you.
You know not how I wandered,
Through which streets, desiring you.
Now, my love, every season, worthy of love,
Where our shadows fell, the gathering blossomed.
Even in solitude,
Life feels good, desiring you.
Where would I go, having come to this world,
Desiring nothing more, having desired you, without you.
How will you live, separated from me?
The walls will crumble, hearing my call.
You must come to me,
My companion, of the lonely road.
How lonely this world was before,
When you met my gaze, the world settled.
When my heart found your devotion,
Lamps ignited, from my sigh.
See the story of my sorrow, tell it to no one.
If my tale is spoken, listen and remain silent.
As for me, it will pass somehow,
This life, desiring you.
Comments on song "Tum Bin Jaoon Kahan - By Kishore Kumar"
pistachioguy on Tuesday, May 10, 2011
@pistachioguy - In plain fact, the smoothest and softest voice ought
properly to belong to Manna Dey, who for all practical purposes was light
years ahead of Rafi or anybody else - songs like Bhay Bhanjana and Sur na
Saje from Basant Bahar are impossible to sing with quite the degree of
finess Manna da brought to bear on them. Technically he was superior to
everyone else in voice quality, technique, and range. Others like Talat and
Hemant had their moments - but Kishore sets a very high bar.
@pistachioguy - In plain fact, the smoothest and softest voice ought
properly to belong to Manna Dey, who for all practical purposes was light
years ahead of Rafi or anybody else - songs like Bhay Bhanjana and Sur na
Saje from Basant Bahar are impossible to sing with quite the degree of
finess Manna da brought to bear on them. Technically he was superior to
everyone else in voice quality, technique, and range. Others like Talat and
Hemant had their moments - but Kishore sets a very high bar.
iamyourfriend007 on Wednesday, September 12, 2012
THERE IS MUCH FEELINGS IN THIS ONE THAN THAT OF RAFI' S. Rafi can beat
kishore in classical ONLY. But kishore can beat rafi in EVERYTHING except
classical. Kishore was a very sad person in his personal life thats y no
other singers including rafi in the world could have beaten him in
delivering natural feelings. Other biggest plus point of kishore was that
he was an actor thats y he was a master in singing with different moods,
style, expressions, feelings. His voice fits in any situation.
THERE IS MUCH FEELINGS IN THIS ONE THAN THAT OF RAFI' S. Rafi can beat
kishore in classical ONLY. But kishore can beat rafi in EVERYTHING except
classical. Kishore was a very sad person in his personal life thats y no
other singers including rafi in the world could have beaten him in
delivering natural feelings. Other biggest plus point of kishore was that
he was an actor thats y he was a master in singing with different moods,
style, expressions, feelings. His voice fits in any situation.
wtc175 on Tuesday, May 10, 2011
@pistachioguy Not humbug . Scientific. Viewed through an oscilloscope you
can see the difference between a 'smooth voice' and a 'rough' voice. I am
not saying one is better or more pleasing than the other - but one can be
analysed as being 'purer' than the other. which is why Kishore's voice has
an 'edge' -ie grating whereas Rafi's is 'purer' . ADSR waveform dictates
how sound behaves ie 'Attack Decay Sustain Release' This is an OBJECTIVE
not SUBJECTIVE analysis. Thanks for your comments.
@pistachioguy Not humbug . Scientific. Viewed through an oscilloscope you
can see the difference between a 'smooth voice' and a 'rough' voice. I am
not saying one is better or more pleasing than the other - but one can be
analysed as being 'purer' than the other. which is why Kishore's voice has
an 'edge' -ie grating whereas Rafi's is 'purer' . ADSR waveform dictates
how sound behaves ie 'Attack Decay Sustain Release' This is an OBJECTIVE
not SUBJECTIVE analysis. Thanks for your comments.
lahore2vancouver on Tuesday, May 03, 2011
@raviterkar DEAR, Yodelling was not Rafi,s game .I been soooo
confused my Whole life which was the better .I met ManyInd0- pak singer
Particularly A. Nayyer From ...lollywood ... Manay Daey from Bollywood
.Used sdame line for Kishorda " Assi Ghambhir awaz indo pak mein Dobarra
nahee aye ghee " I think Rafi has an edge over all male singers That he has
been using " Murqies' so nicely like Lata ji in his song ..Aruna laila in
Pak used to Do ! ...
@raviterkar DEAR, Yodelling was not Rafi,s game .I been soooo
confused my Whole life which was the better .I met ManyInd0- pak singer
Particularly A. Nayyer From ...lollywood ... Manay Daey from Bollywood
.Used sdame line for Kishorda " Assi Ghambhir awaz indo pak mein Dobarra
nahee aye ghee " I think Rafi has an edge over all male singers That he has
been using " Murqies' so nicely like Lata ji in his song ..Aruna laila in
Pak used to Do ! ...
Pyar Ka Mausam (1969) - Movie Details
Film CastShashi Kapoor, Asha Parekh, Nirupa Roy, Tahir Hussain, Bharat Bhushan, Rajendra Nath, Iftekhar, Asit SenSingerKishore Kumar, Lata Mangeshkar, Mohammed RafiLyricistMajrooh SultanpuriMusic ByR D BurmanDirectorNasir HussainExternal LinksPyar Ka Mausam at IMDB Pyar Ka Mausam at WikipediaYouTubePyar Ka Mausam at YT
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In fact, I am a die hard fan of Mohammed Rafi saab and He has been the most
and real versatile, industrious singer and equally popular singer,
notches/way ahead above Kishore, Mukesh Etc. But this song, KISHORE version
is more popular and he has excelled in Yodelling and Kishore delivered well.
Some songs are tailor-made for some singers. Let us not quibble, Rafi has
been declared as SUPERIOR SINGER of all times, even Kishore himself
acknowledged this and ONLY fans always indulge in tantrums. Both Legends
admired each other and have been friends forever.